Showing posts with label solar flares. Show all posts
Showing posts with label solar flares. Show all posts

Saturday, October 16, 2010

#3 (12.9 - 12.10): The Sontaran Experiment

Styre menaces Sarah Jane Smith.
Sontaran Field Major Styre (Kevin Lindsay) menaces Sarah.

2 episodes. Written by: Bob Baker & Dave Martin. Directed by: Rodney Bennett.  Produced by: Philip Hinchcliffe.


THE PLOT

The Doctor, Sarah, and Harry have transmatted down from Space Station Nerva to repair the transmat system, so that the waking survivors can recolonize the Earth... but Earth is not as lifeless as they had believed.

A group of astronauts were lured by a false distress signal, and their group has been growing smaller. Out of a crew of nine, only three remain. When they find the Doctor, they decide that he is responsible. While they interrogate him, Sarah befriends one of their missing colleagues, Roth (Peter Rutherford), who is half-crazed after escaping from an "alien in the rocks."

That alien is Styre (Kevin Lindsay), a Sontaran Field Major and scientist who is studying the humans in preparation for an invasion. The Sontaran battle fleet is already preparing to secure Earth as a foothold in the endless war against the Rutans - which leaves very bleak prospects for both the astronauts and the humans on Nerva.

The Doctor has a more immediate problem: Sarah has been taken prisoner, and she is about to be subjected to the Sontaran's latest experiments!


CHARACTERS

The Doctor: This was the first recorded story of the production block, and writers Baker & Martin would only have had Robot to go on in their characterization. This may explain why the Doctor doesn't come across as strongly here as in The Ark in Space. Tom Baker remains in fine form, but the script makes the Doctor useless and even borderline stupid for much of the first part, notably when he falls down the same trap that entangled Harry through willful recklessness. The climax feels like a leftover of the Pertwee years, relying on physical combat, which leaves only major "Doctorish" moment at the end, when he attempts to bluff the leader of the Sontaran fleet.

Sarah Jane Smith: With the Doctor having an unusually weak outing, Sarah ends up practically taking on his role in the first episode. She befriends Roth, rescues the Doctor from the astronauts, and asks all of the key questions about Roth's fear of his shipmates and about the alien in the rocks. Yes, the second episode falls back on the tried and true formula of her being captured and needing rescued, but this still emerges as a strong story for her.

Harry Sullivan: A nice character beat sees him enjoying the tranquility of an Earth with no people, half-regretting that the people on Nerva will change this idyllic countryside all too quickly. Once it becomes clear he is not going to be rescued from his trap anytime soon, he finds his own way out, just in time to witness Sarah being kidnapped by Styre. He wisely doesn't attempt to rush in, instead doing what he can to try to help where he can while retaining his own freedom.

Villain of the Week: Styre may be the only Sontaran in a televised story to be genuinely menacing.  The Time Warrior is a better story, but Lynx was more amusing than frightening, while later stories would tend to play them more for comic relief. Styre is anything but amusing. The dispassionate, meticulous way he goes about his "experiments" is quite chilling. "You are nothing," he tells Sarah, and he means it. His victims are mere data points, with him neither enjoying nor bothered by their cries as he tortures them.


THOUGHTS

Classic Who had very few two-part, 50-minute serials, and that was mostly for good reason. The series tended to be at its best when it had time to explore settings and characters. Lacking that breathing space, most Classic Series two-parters tended to come across as rushed.

The Sontaran Experiment is one of the better 50-minute stories. The Doctor's weak role aside, the first episode is genuinely good. Writers Bob Baker and Dave Martin establish the base situation quickly, and they give each of the regulars something to do. The problems are small at first: Harry's fall, the Doctor's capture by the astronauts. In working to solve these problems, Sarah Jane encounters larger ones - "the alien in the rocks," the tortured Roth. This progression fuels the first episode, building to the effective reveal of Styre, with Sarah recognizing him as a Sontaran with genuine fear.

Unfortunately, in Part Two, the action becomes a bit too rushed, and the resolution comes a bit too easily. The Doctor defeats Styre by challenging him to single combat and just avoiding the Sontaran until he gets conveniently tired.  Meanwhile, Harry yanks a Thingamajigee out of the ship, which conveniently is enough to resolve the situation with minimal effort. In short, a lot of things suddenly happen with a lot of convenience for the regulars, with even the Doctor's grand bluff at the end - a scene with the potential to be great - going by too quickly to be particularly dramatically effective.

This isn't to say that Part Two is bad. Styre himself is well-written and wonderfully portrayed by Kevin Lindsay. The scenes involving his experiments evoke the "scientific research" of Dr. Josef Mengele during the Second World War, as the alien methodically tests humans' reaction to lack of fluids and to "immersion in liquid." He tests Sarah's responses to fear, and he begins a rather gruesome experiment that involves the resistance of the human ribcage to extreme pressure. Realization is variable, particularly if you've read Ian Marter's much, much better novelization, but his clinical reactions to each test makes it effective.


OVERALL:

I honestly think that part of the reason this story is a fan favorite is its novelization, which takes the ideas of this story and develops them to far more memorable effect. In its televised form, Part One is mostly excellent, but Part Two rushes through the plot and finishes with a rather limp conclusion.

It's never bad, and I would rate it as one of the Classic Series' better 50 minute stories. Still, given how well it starts, the weak conclusion is a definite disappointment.


Rating: 6/10.

Previous Story: The Ark in Space
Next Story: Genesis of the Daleks

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Sunday, October 10, 2010

#2 (12.5 - 12.8): The Ark in Space

Capt. Noah (Kenton Moore) undergoes a horrible transformation.
Noah (Kenton Moore), captain of Space Station
Nerva, undergoes a terrible transformation...

...or Dr. Who in an Exciting Adventure with Bubble-Wrap!

4 episodes. Written by: Robert Holmes. Directed by: Rodney Bennett.  Produced by: Philip Hinchcliffe.


THE PLOT

The Doctor's attempt to prove the TARDIS's properties to Harry with a quick trip goes predictably awry. Instead of materializing on the moon, they find themselves in the far future, on a space station orbiting Earth. Space Station Nerva is an ark, carrying the cryogenically frozen survivors of a global catastrophe. The station's systems have been sabotaged, but the Doctor brings the power back on-line, awakening the command crew in the process.

It quickly becomes apparent that something has gotten into the station. The insect-like Wirrn have invaded the station while its crew has slept, laying their eggs inside one of the crew. Now, the larval Wirrn has taken control of the station commander, Noah (Kenneth Moore) - leaving the Doctor and his friends, along with the remaining station crew, in a race against time to prevent this last outpost of humanity from being consumed!


CHARACTERS

The Doctor: Robot introduced the new Doctor in a story that was otherwise indistinguishable from a Pertwee offering. By contrast, this outer space thriller allows Tom Baker and the incoming production team to establish their own tone and style. This story sets the new template that would largely exist through producer Philip Hinchcliffe's tenure, with the Fourth Doctor being not only quirkier than his immediate predecessor, but also more intellectual and more emotionally remote. Tom Baker is marvelous, with several terrific individual moments: trying to use his hat and scarf to deal with station defenses (and giving a perfect nonverbal reaction when both of the aforementioned get zapped); the iconic "homo sapiens" speech when he discovers the frozen bodies; berating Sarah to get her moving, only to grin with pride and affection after she completes her task.

Sarah Jane Smith: Writer/script editor Robert Holmes gives more focus to new companion Harry than to Sarah.  The first episode, in particular, puts all the focus on the Doctor and Harry, reducing Sarah Jane to "woman-in-peril" status and then literally putting her into storage. Even after she is thawed out in Episode Two, she is given less to do than in most of Season 11's entries, with her only memorable moment being an attack of claustrophobia in the air vents. Elisabeth Sladen still invests the character with likability and intelligence, but I hope that the remaining stories of the season don't sideline her to this extent.

Harry Sullivan: Harry's character is given a chance to emerge and stretch a bit, and he's immediately likable. There is something very humorous in his attempts to take everything in stride. In contrast with the character's intermittent reputation as a nincompoop, he never loses his head, nor does he behave recklessly. In fact, he makes a rather good team with the Doctor, keeping up with him just enough so that the Doctor can usefully bounce ideas off of him, without ever being at risk of being at the Doctor's own level. Ian Marter's rapport with his co-stars remains excellent, and I'd argue that the 4th Doc/Sarah Jane/Harry line-up is a strong contender for my favorite 1970s team.


THOUGHTS

Incoming producer Philip Hinchcliffe's first story is a sharp break with Barry Letts' era in both tone and presentation style. Reputation has it that Hinchcliffe was initially weak on production. There isn't much evidence of that here, save for the too-obvious bubble wrap of the Wirrn larval stage - which, admittedly, is seen a bit too clearly, a bit too often, particularly in Part Three.

Bubble wrap aside, I'd rate this as possibly the best-looking Doctor Who story since The Sea Devils. The station sets are superbly realized for their time. White, antiseptic corridors in a circular shape, to match the station models (and to make it easier to convincingly reuse one stretch of curving corridor for different parts of the station), running the circumference of a more dimly-lit central core. The station architecture is effectively established in the early episodes, and there is little to interfere with the illusion of being in a station orbiting Earth, as opposed to a BBC studio set. Even the Wirrn are passably realized, with smart directorial choices keeping their on-camera appearances to a minimum.

I like this story - but I don't love it the way much of fandom seems to. The first two episodes are excellent, building atmosphere and mystery. The second half just doesn't quite hit the same mark. I honestly think the third episode drags a bit, while the final installment is slightly rushed, with a sequence of the Doctor and Sarah besieged in the cryo chamber seeming like a beat that should have been held longer. Wendy Williams' Vira is a strong guest character, just hesitant enough at taking charge to feel human while still being a convincing leader, but the other guest characters are too thinly sketched to get invested in. This includes Noah; his few pre-infection scenes make him seem a little too much like a Pertwee-era pompous bureaucrat for his fate to particularly resonate.

It's still a good story, mind you. Robert Holmes does a fine job of maintaining tension, with the characters dealing with one threat after another. In Part One, the regulars are in jeopardy from the station's automated defense systems. Once the crew start being revived, they become suspicious of the Doctor, with Noah seeming almost eager to summarily execute him and his companions. In Part Three, the characters evade the larval Wirrn, while the Doctor probes for weaknesses. It is only in Part Four that the adult Wirrn emerge, effectively putting the characters under siege. It's a clever structure, well-designed to keep the audience engaged without giving the audience too much to keep track of.


OVERALL:

It's easy to see why this story is a fan favorite. The set design is superb, the alien design is above the series' average, and the script is adeptly structured. Tom Baker is particularly good here, and the 4th Doctor/Sarah Jane/Harry line-up is a strong contender for the best set of 1970s regulars.

All of this makes The Ark in Space a good story. But the third episode feels a bit overstretched, whiel the guest cast are mostly too bland to get invested in. I like the story... but on this viewing, as in previous ones, I find that my reaction just doesn't match the serial's reputation.


Rating: 7/10.

Alternate Version: The Ark (audio)

Previous Story: Robot
Next Story: The Sontaran Experiment

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